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"The Hymn of Joy" [1] (often called "Joyful, Joyful We Adore Thee" after the first line) is a poem written by Henry van Dyke in 1907 in being a Vocal Version of the famous "Ode to Joy" melody of the final movement of Ludwig van Beethoven's final symphony, Symphony No. 9.
The following is a version with words attributed to the poet laureate Robert Bridges. [5] It is not a translation of the stanzas used within Bach's original version, but is inspired by stanzas of the same hymn that Bach had drawn upon: "Jesu, meiner Seelen Wonne", the lyrics of which were written in 1661 by Martin Janus (or Jahn), and which was ...
Becher's text, inspired by Beethoven's explicit permission to change the lyrics, is an ode to peace that reflects the post-war atmosphere. Becher's lyrics were used in several recordings especially in East Germany, for example those of Franz Konwitschny or Herbert Kegel. [12] [13] [14] [15]
"Ode to Joy" (German: "An die Freude" [an diː ˈfʁɔʏdə]) is an ode written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller. It was published the following year in the German magazine Thalia. In 1808, a slightly revised version changed two lines of the first stanza and omitted last stanza.
Jesu, meine Freude (Jesus, my joy), BWV 227, is a motet by Johann Sebastian Bach. The longest and most musically complex of Bach's motets, it is set in eleven movements for up to five voices. It is named after the Lutheran hymn " Jesu, meine Freude" with words by Johann Franck, first published in 1653.
The final (4th) movement of the symphony, commonly known as the Ode to Joy, features four vocal soloists and a chorus in the parallel key of D major. The text was adapted from the " An die Freude (Ode to Joy) ", a poem written by Friedrich Schiller in 1785 and revised in 1803, with additional text written by Beethoven.
Unto joy or sorrow grown; First the blade and then the ear, Then the full corn shall appear; Grant, O harvest Lord, that we Wholesome grain and pure may be. 3. For the Lord our God shall come, And shall take the harvest home; From His field shall in that day All offences purge away, Giving angels charge at last In the fire the tares to cast;
The music of the chorale movements is now best known for the piano transcription by Dame Myra Hess of Hugh P. Allen's choral version of Bach's arrangement, and is notable under the title Jesu, Joy of Man's Desiring, [28] an inexact translation that transforms the original affirmation ("Jesus remains my joy") into a wish. [29]
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