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"You'll Be in My Heart" is a song by English drummer and singer Phil Collins from the 1999 Disney animated feature Tarzan. [2] It appeared on Tarzan: An Original Walt Disney Records Soundtrack as well as various other Disney compilations. It won the Academy Award for Best Original Song, and became Collins' last US top-40 single, peaking at ...
"Son of Man" is a song by Phil Collins for the soundtrack of Disney's Tarzan. In the 1999 animated film, the song accompanies a montage in which Tarzan learns how to be an ape and progresses from childhood to adulthood. Along the way, he picks up skills from fellow jungle inhabitants, and he duels with an African rock python.
The Tarzan soundtrack was released by Walt Disney Records on May 18, 1999. The soundtrack peaked at #5 on the Billboard 200 during the week of July 10, 1999, coinciding with the film's theatrical run. The album was a major comeback for Phil Collins, and put him back in the public eye.
Phil Collins performs on opening night prior to the evening session on Day One of the US Open on Aug. 29, 2016 in the Flushing neighborhood of the Queens borough of New York City.
The Broadway cast album, entitled Tarzan: The Broadway Musical – Original Broadway Cast Recording, was released on June 27, 2006, produced by Mark Mancina. Allmusic explains: "Phil Collins, who wrote music and lyrics for the five songs in the 1999 Tarzan movie, wrote an additional nine for the Broadway show". [4]
"Strangers Like Me" is a song by the English drummer Phil Collins for the soundtrack of Disney's 1999 animated film Tarzan. The song peaked at number ten on the U.S. Billboard Hot Adult Contemporary Tracks chart and received highly positive reviews. Collins also recorded the song in Spanish (Lo extraño que soy), Italian (Al di fuori di me ...
The songs form the basis of the highest-grossing musical in the history of Broadway. ... pretty much every Tarzan song! Phil Collins didn’t have to go that hard but he did, for us!” ...
"Two Worlds" was the first song that Phil Collins wrote for the film. After writing the piece, he collaborated with score composer Mark Mancina to ensure the musical motifs carried throughout the movie. Mancina emphasised the need for cohesiveness in the score, so "the songs didn't sound like they were recorded two years before and just dropped ...