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In around 1858, he met fellow artist Eugène Boudin, who would encourage Monet to develop his techniques, teach him the "en plein air" (outdoor) techniques for painting and take Monet on painting excursions. [12] [13] Monet thought of Boudin as his master, whom "he owed everything to" for his later success. [14] In 1857, his mother died. [15]
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
Impression, Sunrise (French: Impression, soleil levant) is an 1872 painting by Claude Monet first shown at what would become known as the "Exhibition of the Impressionists" in Paris in April, 1874. The painting is credited with inspiring the name of the Impressionist movement. Impression, Sunrise depicts the port of Le Havre, Monet's hometown.
List of paintings created during 1858–1871 1872–1878 1878–1881 1881–1883 1884 1884–1888 1888 1888–1898 1899–1904 1900–1926 This is a list of works by Claude Monet (1840–1926), including all the extant finished paintings but excluding the Water Lilies, which can be found here, and preparatory black and white sketches. Monet was a founder of French impressionist painting, and ...
The Poppy Field near Argenteuil (French: Coquelicots) is an oil-on-canvas landscape painting by the French Impressionist Claude Monet, completed in 1873.. Following its donation to the French state in 1906 by Étienne Moreau-Nélaton, it was housed successively in the Louvre, Musée des Arts Décoratifs and the Jeu de Paume.
Claude Monet, The Water Lilies – The Clouds, 1920–1926, Musée de l'Orangerie, Paris Claude Monet, The Water Lilies – Setting Sun, 1920–1926, Musée de l'Orangerie, Paris Claude Monet, Reflections of Clouds on the Water-Lily Pond, c. 1920, 200 × 1276 cm (78.74 × 502.36 in), oil on canvas, Museum of Modern Art, New York City
Claude Monet, Boulevard des Capucines, (detail showing the blurred figures) Monet’s use of high vantage point perspective and loose brushstrokes were representative of a style he began using in the late 1860s. [11] High vantage points generally decrease the amount of sky available in the painting by forcing the horizon line upwards.
The Studio Boat (Le Bateau-atelier) is a painting from 1876 by the French Impressionist Claude Monet. The work depicts Monet at work in his studio boat on the Seine in Argentueil. [1] It was executed en plein air in oil on canvas. It currently is in the collection of the Barnes Foundation of Philadelphia. [2]
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