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Saint Augustine (354–430) in the City of God based the discussion of the miraculous aspects of monsters (including the salamander in fire) largely on Pliny's Natural History. [37] Augustine then used the example of the salamander to argue for the plausibility of the Purgatory where humans being punished by being burned in eternal flame. [38] [1]
The natural world contains many strange things, including elemental beings corresponding to the four classical elements: undines , sylphs , gnomes and salamanders . He dismisses the conventional Christian view that elemental beings are devils, instead arguing that they are significant parts of God's creation, and studies them like he studied ...
The tempting Serpent is depicted as a bipedal salamander-like creature because it was assumed that the serpent could walk before God's curse compelled it to crawl and eat dust. [3] The human-headed Serpent was introduced into art in the late 13th century. [ 3 ]
The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.
God the Father appears in several Genesis scenes in Michelangelo's Sistine Chapel ceiling, most famously The Creation of Adam. God the Father is depicted as a powerful figure, floating in the clouds in Titian's Assumption of the Virgin (see gallery below) in the Frari of Venice, long admired as a masterpiece of High Renaissance art. [25]
Undine Rising From the Waters, by Chauncey Bradley Ives Rococo set of personification figurines of the Four Elements, 1760s, Chelsea porcelain. An elemental is a mythic supernatural being that is described in occult and alchemical works from around the time of the European Renaissance, and particularly elaborated in the 16th century works of Paracelsus.
The legendary salamander is often depicted as a typical salamander in shape, with a lizard-like form, but is usually ascribed an affinity with fire, sometimes specifically elemental fire. [ 2 ] [ 3 ] In the Renaissance , the salamander was supposed to be able to withstand any heat and even to put out fire.
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