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The 1870s saw the expansion of the British Music Hall genre. Those who wrote music began more than ever to write them for live performances. It was an era of light music. The well-known composer G. H. MacDermott was known for his dedication to themes which were not appropriate at the time which led many to ban his work.
It played a three-hour commercial-free video loop of flaming wood, accompanied by holiday music, to serve as a “Christmas card to our viewers,” according to a history of the “Yule Log ...
The author describes the origins of Christmas festivities and its development over time, focusing on its cuisine, hospitality, and holiday music, all based on the contributions of multiple cultural traditions, culminating in the eventual modernisation and commercialisation of the holiday in the 19th and 20th centuries. Critics praised the book ...
Neapolitan presepio at the Carnegie Museum of Art in Pittsburgh. The practice of putting up special decorations at Christmas has a long history. In the 15th century, it was recorded that in London, it was the custom at Christmas for every house and all the parish churches to be "decked with holm, ivy, bays, and whatsoever the season of the year afforded to be green". [4]
The 12 Days of Christmas. Nowadays, the Christmas season starts as soon as October and ends as soon as the New Year's decorations come out in stores.
The Board of Music Trade of the United States, a trade cartel, is formed by the twenty-five biggest music publishing companies in the country, [50] instituting price controls on sheet music for European classical music, which will remain in place until 1885. [51] The Board will also fight music teachers, who sell sheet music to their students. [52]
The Nast Christmas cartoon for 1864 was a more conciliatory piece, showing Lincoln inviting Confederate soldiers into a warm lodge hall full of merriment. [18] Lincoln called Nast's use of Santa Claus "the best recruiting sergeant the North ever had". [6] Nast was not the only one to use Christmas as a propaganda tool.
It is published by the International Council for Traditions of Music and Dance, twice a year. The editor-in-chief is Lonán Ó Briain. Traditions of Music and Dance was established in 1949 as the Journal of the International Folk Music Council, obtaining its current title in 2025.