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The framework for J. R. R. Tolkien's conception of his Elves, and many points of detail in his portrayal of them, is thought by Haukur Þorgeirsson to have come from the survey of folklore and early modern scholarship about elves (álfar) in Icelandic tradition in the introduction to Íslenzkar þjóðsögur og æfintýri ('Icelandic legends and fairy tales').
Tolkien was influenced by Germanic heroic legend, especially its Norse and Old English forms. During his education at King Edward's School in Birmingham, he read and translated from the Old Norse in his free time. One of his first Norse purchases was the Völsunga saga.
Celtic influences on Middle-earth:Tolkien's Elves owe something to the Irish Tuatha Dé Danann; [1] their sanctuary of Rivendell recalls Tír na nÓg; [2] the Undying Lands echo Immrama tales; [3] [4] their Sindarin language uses some aspects of Welsh language; [5] [6] and Maedhros and Celebrimbor reflect aspects of Nuada Airgetlám.
Elves are a humanoid race in the Dungeons & Dragons fantasy role-playing game, one of the primary races available for player characters, and play a central role in the narratives of many setting worlds of the game. [11] Elves are renowned for their grace and mastery of magic [11] [12]: 58 and weapons such as the bow [12]: 15, 58 and sword.
Tolkien took Eärendil's name from the Old English name Earendel, found in the poem Crist 1, which hailed him as "brightest of angels"; this was the beginning of Tolkien's Middle-earth mythology. Elwing is the granddaughter of Lúthien and Beren , and is descended from Melian the Maia , while Earendil is the son of Tuor and Idril .
This picture of increasing separation is analogous to the progressive decline and fall in Middle-earth from its initial perfection, of which the Sundering of the Elves is a major element. [9] In Tolkien's scheme, the highest Elves are those who deviated least from their initial state (complying with the will of the Valar, travelling to Valinor ...
J. R. R. Tolkien built a process of decline and fall in Middle-earth into both The Silmarillion and The Lord of the Rings.. The pattern is expressed in several ways, including the splintering of the light provided by the Creator, Eru Iluvatar, into progressively smaller parts; the fragmentation of languages and peoples, especially the Elves, who are split into many groups; the successive falls ...
Dragon-fire (even that of Ancalagon the Black) is described as not being hot enough to melt the One Ring; however, four of the Dwarven Rings are consumed by Dragon-fire. [T 7] All Tolkien's dragons share a love of treasure (especially gold), subtle intelligence, immense cunning, great physical strength, and a hypnotic power called "dragon-spell ...