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The framework for J. R. R. Tolkien's conception of his Elves, and many points of detail in his portrayal of them, is thought by Haukur Þorgeirsson to have come from the survey of folklore and early modern scholarship about elves (álfar) in Icelandic tradition in the introduction to Íslenzkar þjóðsögur og æfintýri ('Icelandic legends and fairy tales').
Slain during the final battle between Sauron and the Last Alliance of Elves and Men. Elrond: Ruler of the elven refuge of Rivendell. Son of the Half-elves Eärendil and Elwing, husband of Celebrían, father of Arwen, Elladan and Elrohir. Éomer: Brother of Éowyn, nephew and heir of Théoden, King of Rohan. Son-in-law of Prince Imrahil of Dol ...
This was later spelled Quenya (High-elven); it and Sindarin (Grey-elven) are the most complete of Tolkien's constructed languages. Elves are also credited with creating the Tengwar (by Fëanor) and Cirth (Daeron) scripts. [4] Tolkien's Elves are immortal, and remain unwearied with age, but can be killed in battle. Spirits of dead Elves go to ...
Tolkien took Eärendil's name from the Old English name Earendel, found in the poem Crist 1, which hailed him as "brightest of angels"; this was the beginning of Tolkien's Middle-earth mythology. Elwing is the granddaughter of Lúthien and Beren , and is descended from Melian the Maia , while Earendil is the son of Tuor and Idril .
[T 1] As well as "dragon", Tolkien called them "drake" (from Old English draca, in turn from Latin draco and Greek δράκων), and "worm" (from Old English wyrm, "serpent", "dragon"). [T 2] Tolkien named four dragons in his Middle-earth writings. Like the Old Norse dragon Fafnir, they are able to speak, and can be subtle of speech.
This picture of increasing separation is analogous to the progressive decline and fall in Middle-earth from its initial perfection, of which the Sundering of the Elves is a major element. [9] In Tolkien's scheme, the highest Elves are those who deviated least from their initial state (complying with the will of the Valar, travelling to Valinor ...
The Tolkien scholar Verlyn Flieger suggests that he is Tolkien's central monster-figure, likening him to both Grendel and the dragon; she describes him as "the twisted, broken, outcast hobbit whose manlike shape and dragonlike greed combine both the Beowulf kinds of monster in one figure".
The Tolkien critic Tom Shippey suggests that Tolkien's "master-text" for his Dwarves was the Hjaðningavíg. In that legend, the Dwarves are characterised by revenge, as in "the long and painful vengeance of [Thorin's father] Thráin for [Thorin's grandfather] Thrór", and Shippey argues that Tolkien chose these qualities for his Dwarves. [7] [8]