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The Piazza Tales is a collection of six short stories by American writer Herman Melville, published by Dix & Edwards in the United States in May 1856 and in Britain in June. Except for the newly written title story, "The Piazza," all of the stories had appeared in Putnam's Monthly between 1853 and 1855.
"Bartleby, the Scrivener: A Story of Wall Street" is a short story by the American writer Herman Melville, first serialized anonymously in two parts in the November and December 1853 issues of Putnam's Magazine and reprinted with minor textual alterations in his The Piazza Tales in 1856.
Melville, Herman (1987). The Piazza Tales and Other Prose Pieces 1839-1860. Edited by Harrison Hayford, Alma A. MacDougall, G. Thomas Tanselle, and others. The Writings of Herman Melville Volume Nine. Evanston and Chicago: Northwestern University Press and The Newberry Library. ISBN 0-8101-0550-0; Milder, Robert (1988). "Herman Melville."
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Collected in The Piazza Tales. Melville received a monthly payment of $50 for each of the three installments for a total of $150. [15] He received no additional payment from the Piazza Tales because the collection never generated any royalties. [16] "Poor Man's Pudding and Rich Man's Crumbs" June 1854 Harper's New Monthly Magazine
Melville, His World and Work. Alfred A. Knopf. ISBN 0-375-40314-0. Melville, Herman (August 1850), "Hawthorne and His Mosses", Literary World Reprinted in The Piazza Tales and Other Prose Pieces, 1839–1860, edited by Harrison Hayford, Alma A. MacDougall, and G. Thomas Tanselle. Northwestern-Newberry Edition of the Writings of Herman Melville ...
Herman Melville (born Melvill; [a] August 1, 1819 – September 28, 1891) was an American novelist, short story writer, and poet of the American Renaissance period. Among his best-known works are Moby-Dick (1851); Typee (1846), a romanticized account of his experiences in Polynesia; and Billy Budd, Sailor, a posthumously published novella.
The Melville Revival of the early 1920s produced the first collected edition of his works, and the publication of the Constable edition of The Piazza Tales in 1922 marked a turning-point in the evaluation of the short fiction, with Michael Sadleir's remark in Excursions in Victorian Bibliography that Melville's genius is "more perfectly and ...
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