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Doo Wop (That Thing)" was ranked number 49 on Rolling Stone's 500 Greatest Songs of All Time (2021). In 2023, Billboard named it one of the "500 Best Pop Songs of All Time". The accompanying music video for "Doo Wop (That Thing)" won Hill four awards at the 1999 MTV Video Music Awards, including the top prize Video of the Year (a first for a ...
Doo-wop (also spelled doowop and doo wop) is a subgenre of rhythm and blues music that originated in African-American communities during the 1940s, [2] mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, D.C., and Los Angeles.
"The Longest Time" is a doo-wop song by Billy Joel, released in 1984 as the fourth single from the 1983 album An Innocent Man. Following the theme of the album in paying tribute to Joel's musical influences, the song is presented in the style of Frankie Lymon and the Teenagers.
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
"Rubber Biscuit" is a novelty doo-wop song performed by the vocals-only team the Chips, who recorded it in 1956. It was covered by the Blues Brothers on their 1978 debut album, Briefcase Full of Blues, among many other artists, [1] as well as being featured in the 1973 film Mean Streets.
"The Wind" is a 1954 doo-wop song by Nolan Strong & The Diablos. The song appeared originally on the group's second 45rpm single, "The Wind" b/w "Baby Be Mine" (Fortune Records). [1] The lyrics describe a man who feels the summer wind blow as he thinks about a lover who left him. [2]
"Stay" is a doo-wop song written by Maurice Williams and first recorded in 1960 by Williams with his group the Zodiacs. [1] Commercially successful versions were later also issued by the Hollies, the Four Seasons and Jackson Browne.
The Marcels, a doo-wop group, recorded the track for their album Blue Moon.In 1961, the Marcels had three songs left to record and needed one more. Producer Stu Phillips did not like any of the other songs except one that had the same chord changes as "Heart and Soul" and "Blue Moon".