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Digital cinematography captures motion pictures digitally in a process analogous to digital photography.While there is a clear technical distinction that separates the images captured in digital cinematography from video, the term "digital cinematography" is usually applied only in cases where digital acquisition is substituted for film acquisition, such as when shooting a feature film.
A digital movie camera for digital cinematography is a motion picture camera that captures footage digitally rather than physical film, known as film stock. Different digital movie cameras output a variety of different acquisition formats. Cameras designed for domestic use have also been used for low-budget independent productions.
Compared to film, digital cameras are capable of much higher speed (sensitivity to light) and can perform better in low light or very short exposures. The effective speed of a digital camera can be adjusted at any time, while the film must be changed in a film camera to change the speed.
Digital movies are projected using a digital video projector instead of a film projector, are shot using digital movie cameras or in animation transferred from a file and are edited using a non-linear editing system (NLE). The NLE is often a video editing application installed in one or more computers that may be networked to access the ...
However, unlike film cameras, digital cameras can display images on a screen immediately after being recorded, and store and delete images from memory. Many digital cameras can also record moving videos with sound. Some digital cameras can crop and stitch pictures and perform other kinds of image editing. [6] [7]
Aaton cameras have a system called AatonCode that can "jam sync" with a timecode-based audio recorder and prints a digital timecode directly on the edge of the film itself. However, the most commonly used system at the moment is unique identifier numbers exposed on the edge of the film by the film stock manufacturer (KeyKode is the name for ...
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