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The Bees (film) Beneath the Valley of the Ultra-Vixens; La Bestia in calore; Beyond the Darkness (film) Big Bad Mama; The Big Bird Cage; The Big Bust Out; The Big Doll House; The Bird with the Crystal Plumage; Black Belly of the Tarantula; Black Christmas (1974 film) Black Cobra Woman; The Black Gestapo; Blackenstein; Blind Rage (film) Blindman ...
The 1960s and 1970s marked the rise of exploitation-style independent B movies; films which were mostly made without the support of Hollywood's major film studios.As censorship pressures lifted in the early 1960s, the low-budget end of the American motion picture industry increasingly incorporated the sort of sexual and violent elements long associated with so-called ‘exploitation’ films.
The Sadist (film) Satan's Bed (1965 film) Satan's Sadists; The Savage Seven; The Scavengers (1969 film) School for Sex; Secrets of a Windmill Girl; She Freak; She-Devils on Wheels; Shogun's Joy of Torture; Street Acquaintances of St. Pauli
This development paved the way for the more explicit exploitation films of the 1960s and 1970s and made the nudist genre obsolete—ironically, since the nudist film Garden of Eden was the subject of the court case. After this, the nudist genre split into subgenres such as the "nudie-cutie", which featured nudity but no touching, and the ...
From almost the beginning, Hollywood and independent studios got in on the action and produced a number of extremely lurid hippie exploitation (and/or hippie horror) films that were either supporting the subversive playful artistic side of the culture war, [2] or masquerading as cautionary public service announcements, but which were in fact aimed directly at feeding a morbid public appetite ...
Theatrical release poster for the 1969 Argentine film Éxtasis tropical, starring Isabel Sarli, one of the biggest stars of the sexploitation genre. [1] [2]A sexploitation film (or sex-exploitation film) is a class of independently produced, low-budget [3] feature film that is generally associated with the 1960s [4] and early 1970s, and that serves largely as a vehicle for the exhibition of ...
Beat Girl is a 1960 British teen exploitation drama film directed by Edmond T. Gréville.The film was released in the United States under the title Wild for Kicks. [2]The title character of Beat Girl was played by starlet Gillian Hills, who later went on to have numerous small roles in 1960s and 1970s films, such as Blowup (1966) and A Clockwork Orange (1971), and became a successful "ye-ye ...
Love Camp 7 is regarded as a cult classic because it represents the beginning of a fashion for exploitation films about women in prison in the 1970s, such as Women in Cages (1971) and The Big Bird Cage (1972), both of which made Pam Grier a recognizable name in the genre.