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Murray Bail's story, "The Drover's Wife" (1975), is based on Drysdale's painting and is narrated by the woman's first husband. [1] Frank Moorhouse's story, "The Drover's Wife" (1980), satirises the bush ethos of Lawson and academics who study him. [1] Barbara Jefferis's story, "The Drover's Wife" (1980), provides a feminist viewpoint of the ...
Leah Maree Purcell AM (born 14 August 1970) is an Aboriginal Australian stage and film actress, playwright, film director, and novelist.She made her film debut in 1999, appearing in Paul Fenech's Somewhere in the Darkness, which led to roles in films, such as Lantana (2001), Somersault (2004), The Proposition (2005) and Jindabyne (2006).
The Drover's Wife: The Legend of Molly Johnson, or simply The Drover's Wife, is a 2021 Australian revisionist Western film directed, written, and co-produced by Leah Purcell in her feature directorial debut. It is an adaptation of Purcell's 2016 play and a reimagining of Henry Lawson's 1892 short story.
No one is more devoted to Australian author Henry Lawson’s “The Drover’s Wife” than Leah Purcell. First, she adapted Lawson’s classic 1892 short story as an award-winning play at Sydney ...
Exclusive: The film formerly titled "The Drover's Wife" premiered at 2021 SXSW and lands in theaters and on VOD August 19.
Distinct with their signature art pop book covers, Sage's series has garnered a cult following. Readers come up to Sage and tell her they wish they could visit Rebel Blue Ranch in real life.
The Drover's Wife has received multiple awards, including the Nick Enright Prize for Playwriting and the overall Book of the Year at the NSW Premier's Literary Awards, and the Prize for Drama and the overall Victorian Prize for Literature at the Victorian Premier's Literary Awards.
The drover with his horses and wagon are in the background. [1] The painting has been described as "an allegory of the white Australian people's relationship with this ancient land." [1] Henry Lawson's 1892 short story "The Drover's Wife" is widely seen as an inspiration for the painting, although Drysdale denies that. [2]
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