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"Golden Slumbers" is a song by the English rock band the Beatles from their 1969 album Abbey Road. Written by Paul McCartney and credited to Lennon–McCartney, [2] [3] it is the sixth song of the album's climactic B-side medley. The song is followed by "Carry That Weight" and begins the progression that leads to the end of the album.
American guitarist George Benson covered the song in a medley with "Golden Slumbers" in his 1970 album The Other Side of Abbey Road. [18] Comedy rock duo Tenacious D covered "You Never Give Me Your Money" in medley with "The End" as a single released on 2 July 2021. The proceeds benefit Doctors Without Borders. [19]
The Beatles began recording "Golden Slumbers"/"Carry That Weight" as one piece on 2 July 1969. [5] McCartney, Harrison, and Ringo Starr recorded 15 takes of the two songs [5] while Lennon was in a hospital recovering from a car accident in Scotland. [6] The rhythm tracks featured McCartney on piano, Harrison on bass guitar, and Starr on drums.
Immediately after Lennon's third and final solo, the piano chords of the final part of the song begin. The song ends with the memorable final line, "And in the end, the love you take is equal to the love you make". This section was taped separately from the first and required the piano to be re-recorded by McCartney, which was done on 18 August ...
This is a list of cover versions by music artists who have recorded one or more songs written and originally recorded by English rock band The Beatles.Many albums have been created in dedication to the group, including film soundtracks, such as I Am Sam (2001) and Across the Universe (2007) and commemorative albums such as Sgt. Pepper Knew My Father (1988) and This Bird Has Flown (2005).
These performances show how Beatles songs invite improvisation thanks to their lilt, sturdy construction and sophisticated chord changes. Plus, as Mehldau observes in his liner notes, they swing." [ 14 ]
An example: Dieterich Buxtehude's O dulcis Jesu (BuxWV 83) in full score using tablature Keyboard tablature is a form of musical notation for keyboard instruments.Widely used in some parts of Europe from the 15th century, it co-existed with, and was eventually replaced by modern staff notation in the 18th century.
The song is in the key of C and the chorus ("Here comes the Sun King") involves a I (C)–Imaj 7 (Cmaj 7 chord)–v 7 (Gm 7 chord)–VI 7 (A 7 chord) progression against a C–B–B ♭ –A vocal harmony. [4] It also features 7th and 6th extensions which author Dominic Pedler described as "psychedelic". [5]
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