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"I'm So Lonesome I Could Cry" has been identified with Williams's musical legacy, and has been widely praised. In the 2003 documentary The Road to Nashville, singer k.d. lang stated: "I think 'I'm So Lonesome I Could Cry' is one of the most classic American songs ever written, truly. Beautiful song."
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.
Herbert Paul Gilley (October 1, 1929 – June 16, 1957) was an American country music lyricist and promoter from Kentucky. In his lifetime, he was little known as a songwriter, but decades after his death by drowning at age 27, he was identified more widely as likely having written the lyrics to a dozen famous songs, including two that were hits for Hank Williams: "Cold, Cold Heart" and "I'm ...
Major Pachelbel's Canon: I–V–vi–iii–IV–I–IV–V: 5: Major Passamezzo antico: i–VII–i–V–III–VII–i–V–i: 4: Minor Passamezzo moderno: I–IV–I–V–I–IV–I–V–I: 3: Major I–V–vi–IV progression: I–V–vi–IV: 4: Major Ragtime progression: III 7 –VI 7 –II 7 –V 7: 5: Major Rhythm changes: I-iv-ii-V ...
Power chords are also referred to as fifth chords, indeterminate chords, or neutral chords [citation needed] (not to be confused with the quarter tone neutral chord, a stacking of two neutral thirds, e.g. C–E –G) since they are inherently neither major nor minor; generally, a power chord refers to a specific doubled-root, three-note voicing ...
There are few keys in which one may play the progression with open chords on the guitar, so it is often portrayed with barre chords ("Lay Lady Lay"). The use of the flattened seventh may lend this progression a bluesy feel or sound, and the whole tone descent may be reminiscent of the ninth and tenth chords of the twelve bar blues (V–IV).
These chords are all borrowed from the key of E minor. Similarly, in minor keys, chords from the parallel major may also be "borrowed". For example, in E minor, the diatonic chord built on the fourth scale degree is IVm, or A minor. However, in practice, many songs in E minor will use IV (A major), which is borrowed from the key of E major.
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