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Of the many qualities Castiglione's characters attribute to their perfect courtier, oratory and the manner in which the courtier presents himself while speaking is amongst the most highly discussed. Wayne Rebhorn, a Castiglione scholar, states that the courtier's speech and behavior in general is "designed to make people marvel at him, to ...
Baldassare Castiglione, Count of Casatico (Italian: [baldasˈsaːre kastiʎˈʎoːne]; 6 December 1478 – 2 February 1529), [1] was an Italian courtier, diplomat, soldier and a prominent Renaissance author. [2] Castiglione wrote Il Cortegiano or The Book of the Courtier, a courtesy book dealing with questions of the etiquette and morality of ...
Castiglione is seen as vulnerable, possessing a humane sensitivity characteristic of Raphael's later portraits. [5] The soft contours of his clothing and rounded beard express the subtlety of the subject's personality. In his The Book of the Courtier Castiglione argued on behalf of the cultivation of fine manners and dress. [5]
From 1559 to mid-1565, Górnicki worked on a translation and adaptation of Baldassare Castiglione's Book of the Courtier (Il cortegiano). This was published in Kraków as Dworzanin polski (lit. ' Polish Courtier ') in 1566 and was dedicated to King Sigismund August. Górnicki followed Castiglione's model, but changed it to match the Polish ...
Sprezzatura was a vital quality for a courtier to have. According to Professor Wayne Rebhorn, courtiers essentially had to put on a performance for their peers [9] and those who employed sprezzatura created the impression that they completely mastered the roles they played. [10]
A courtesy book (also book of manners) was a didactic manual of knowledge for courtiers to handle matters of etiquette, socially acceptable behaviour, and personal morals, with an especial emphasis upon life in a royal court; the genre of courtesy literature dates from the 13th century.
Contemporary historians and intellectuals remembered Ottaviano as a liberal and magnanimous prince, holding him up as a quintessential Renaissance gentleman and a pattern for rulers, as did Baldassare Castiglione who made him one of the interlocutors in The Book of the Courtier (1528).