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Various folk cultures and traditions assign symbolic meanings to plants. Although these are no longer commonly understood by populations that are increasingly divorced from their rural traditions, some meanings survive. In addition, these meanings are alluded to in older pictures, songs and writings.
Gaudy or gaudie [1] (from the Latin, "gaudium", meaning "enjoyment" or "merry-making") is a term used to reflect student life in a number of the ancient universities in the United Kingdom as well as other institutions such as Durham University and Reading University.
1. ^ As of Unicode version 16.0 Template documentation [ view ] [ edit ] [ history ] [ purge ] {{ Unicode chart Ornamental Dingbats }} provides a list of Unicode code points in the Ornamental Dingbats block.
This category contains articles with Urdu-language text. The primary purpose of these categories is to facilitate manual or automated checking of text in other languages. This category should only be added with the {} family of templates, never explicitly.
Ornamental iron, mild steel that has been formed into decorative shapes, similar to wrought iron work Ornamental plant , a plant that is grown for its ornamental qualities Ornament (architecture) , a decorative detail used to embellish parts of a building or interior furnishing
The Anjuman Taraqqi Urdu (Hind) besides publishing journals and books, and supporting research and creative work in Urdu linguistics and literature, has many other activities to promote the language e.g. Urdu Adab (Quarterly), Hamari Zaban (Weekly), Books and Dictionaries, Urdu Archives, Photo Collection, Audio Collection, Writing Competition ...
The weight of jaa is 2, ni is 1, saa is 2 and r is 1, thus making the weight of the word jaanisaar 2121. [6] Rekhta has developed a free online tool (Rekhta Taqti) that can be used to identify the bahr of any given ghazal or sher .
The Urdu ghazal is a literary form of the ghazal-poetry unique to the Indian subcontinent, written in the Urdu standard of the Hindostani language. It is commonly asserted that the ghazal spread to South Asia from the influence of Sufi mystics in the Delhi Sultanate. [1]