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The chunky European bird that faced right became a slender English bird brooch that faced left when made in southern England. [31] The Anglo-Saxon bird brooches date from 500 to 500AD in England. [13] The S-shaped brooches migrated from Continental Europe and can be found throughout Anglo-Saxon England and date from 450—550AD. [13]
The largest Pentney disc brooch, (10.2 cm), British Museum. The largest brooch is a silver disc with an intricate openwork pattern and inlaid with black niello. This (10.2 centimetres [4.0 in]) brooch is an excellent example of the Trewhiddle style. The outer edge of the brooch contains eight panels of intertwined creatures.
The Anglo-Saxons who founded the Anglo-Saxon kingdoms of England preferred round disk brooches to either fibulae or penannular forms, also using gold and garnet cloisonné along with other styles. The finest and most famous collection of barbarian jewelry is the set for the adornment of (probably) an Anglo-Saxon king of about 620 recovered at ...
The dragonesque brooch is a distinctive type of Romano-British brooch made in Roman Britain between about 75 and 175 AD. [1] They have been found in graves and elsewhere, in recent years especially by metal-detectors, and were evidently a fairly affordable style; over 200 examples are now known. [ 2 ]
The Kingston Brooch is the largest known Anglo-Saxon composite brooch, and is considered by scholars to be an outstanding example of the composite disc brooch style. Over time, the Kingston brooch has become widely recognized for its charm, inherent value and detailed workmanship. [ 1 ]
The Queen Mother started wearing the brooch sometime in the 1920s, and upon her passing, Queen Elizabeth inherited the brooch. The late queen gifted it to Camilla shortly after Camilla's wedding ...
Ædwen's brooch (also known as Sutton brooch, British Museum 1951,10-11,1) is an early 11th-century Anglo-Scandinavian silver disc brooch with an inscription on the reverse side. It was discovered in 1694 during the ploughing of a field in Sutton , Isle of Ely , Cambridgeshire , along with a hoard including coins and gold rings.
In England, Liberty & Co., (notably through the Cymric designs of Archibald Knox) and the British arts and crafts movement of Charles Robert Ashbee contributed slightly more linear but still characteristic designs. The new style moved the focus of the jeweller's art from the setting of stones to the artistic design of the piece itself.
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