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The sheen [4] or gloss level of a paint is principally determined by the ratio of resinous, adhesive binder, which solidifies after drying, and solid, powdery pigment.The more binder the coating contains, the more regular reflection will be made from its smooth surface; conversely, with less binder, grains of pigment become exposed to the surface, scattering the light and providing matte ...
This category lists artists in Singapore adopting Western painting and drawing techniques, and using mediums like pencil, color pencils, charcoal, pen and ink, crayon, pastel, silverpoint, Indian ink, oil paint, acrylic and watercolour
Enamel paint is paint that air-dries to a hard, usually glossy, finish, used for coating surfaces that are outdoors or otherwise subject to hard wear or variations in temperature; it should not be confused with decorated objects in "painted enamel", where vitreous enamel is applied with brushes and fired in a kiln. The name is something of a ...
The visual art of Singapore, or Singaporean art, refers to all forms of visual art in or associated with Singapore throughout its history and towards the present-day. The history of Singaporean art includes the indigenous artistic traditions of the Malay Archipelago and the diverse visual practices of itinerant artists and migrants from China, the Indian subcontinent, and Europe.
The Nativity, one of the murals drawn by Stanley Warren on the walls of St Luke's Chapel in Roberts Barracks, Singapore. The Changi Murals are a set of five paintings of biblical themes painted by Stanley Warren, a British bombardier and prisoner-of-war (POW) interned at the Changi Prison, during the Japanese occupation of Singapore in the Second World War.
This category lists artists from Singapore practicing mainstream fine arts in painting or other art mediums. This includes Singaporean modern, avant-garde, contemporary practising artists in the field of painting, installation, performance art and film. This category does not include practitioners of commercial art such as graphic design.
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The Singapore River thus then became their favourite haunt to paint at, especially when the group cannot decide where else to paint at. [4] Between 1958 and 1971 Lim, and the other Singapore River artists took their plein air painting excursions to various parts of Malaysia, especially to the state of Johor. [5]