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The gongs — kempul (small hanging gongs) and kenong (large horizontal gongs) — act as structural markers and punctuate the form, depending on the type of piece being played. The gong ageng (large gong) marks the end of each of the largest melodic phrases; these are called gongan , and a piece can have one or several of these.
Man playing kenong in a gamelan orchestra (1966) The Kenong is a musical instrument of Indonesia used in the gamelan. [1] [2] It is a kind of gong and is placed on its side. It has the same length and width. Thus, it is similar to the bonang, kempyang, and ketuk, which are also cradled gongs. Kenongs are generally much larger than the ...
where "." indicates no interpunctuating instrument plays, p indicates the stroke of the kempyang, T the ketuk, N the kenong, and G the simultaneous stroke of the gong and kenong. Thus, in each section, the gong plays once, the kenong divides that into four parts, and then that is divided into parts according to the given structure.
This is similar to the other cradled gongs in the gamelan, the kethuk, kempyang, and kenong. Bonang may be made of forged bronze , welded and cold-hammered iron , or a combination of metals. In addition to the gong-shaped form of kettles, economical bonang made of hammered iron or brass plates with raised bosses are often found in village ...
A Gong depicted on the 15th-century temple reliefs at the Candi Sukuh in Central Java, Indonesia. Gong ageng demarcates the larger phrase structure or gongan.Within the gongan structure, Between, the gong suwukan and kempul punctuate the subdivisions of time.