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The Panathenaea (or Panathenaia) was a multi-day ancient Greek festival held annually in Athens that would always conclude on 28 Hekatombaion, the first month of the Attic calendar. [1] The main purpose of the festival was for Athenians and non-Athenians to celebrate the goddess Athena . [ 2 ]
The Panathenaic Stadium in Athens. The athletic events were staged at the Panathenaic Stadium, which is still in use today. In 1865, Evangelis Zappas left a vast fortune in his will with instructions to excavate and refurbish the ancient Panathenaic stadium so that modern Olympic Games could be held every four years "in the manner of our ...
The Dionysia was a large religious festival in ancient Athens in honor of the god Dionysus, the central event of which was the performance of tragedies and, from 487 BCE, comedies. It was the second-most important festival after the Panathenaia. The Dionysia actually comprised two related festivals, the Rural Dionysia and the City Dionysia ...
One of the better-quality vase painters of the black-figure style in Athens, he is known especially for his Panathenaic prize amphorae. In them, his work evinces a chronological development influenced extensively by red-figure vase painting, a style developing during his lifetime. While his early works show athletes in unrealistic stances, the ...
In Athens he is best known for the reconstruction of the Panathenaic Stadium. [22] [b] Tobin suggests that "Herodes built the stadium soon after [his father] Atticus's death, which occurred around A.D. 138. The first Greater Panathenaia following his father's demise was 139/40, and it is probable that at that time Herodes promised the ...
The Euphiletos Painter Panathenaic Amphora is a black-figure terracotta amphora from the Archaic Period depicting a running race, now in the Metropolitan Museum of Art in New York. It was painted by the Euphiletos Painter as a victory prize for the Panathenaic Games in Athens in 530 BC.
The role was given to a virgin selected from amongst the aristocratic or Eupatrid families of Athens whose purity and youth was thought essential to ensure a successful sacrifice. Her task was to carry a basket or kanoun ( κανοῦν ), which contained the offering of barley or first fruits, the sacrificial knife and fillets to decorate the ...
Some Panathenaic amphorae depicted Athena Promachos, goddess of war, advancing between columns brandishing a spear and wearing the aegis, and next to her the inscription τῶν Ἀθήνηθεν ἄθλων "(one) of the prizes from Athens". On the back of the vase was a representation of the event for which it was an award.