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Some windows survive from an earlier Chartres Cathedral, such as the three lancets on the west front (1145–1155, contemporary with those made for Abbot Suger at the Basilica of Saint-Denis) and the lancet south of the choir known as 'Notre-Dame de la Belle Verrière', famed for its Chartres blue (1180).
A few important examples of 12th-century windows are found at Chartres Cathedral on the inside of the western facade, in three lancet windows under the rose window. These windows survived a devastating fire in the Cathedral in 1194, and are considered some of the best examples of 12th-century work in France. [5]
Following the west window of Chartres, more daring Gothic windows were created at the Collegiate Church of Notre-Dame in Mantes and in the dynamically sculptural facade of Laon Cathedral (which also, unusually, has a rose window in its eastern end as well as in it transept ends). These windows have large lights contained in tracery of a ...
As the cathedral was rebuilt, the famous west rose window was installed between the two towers (13th century), [29] and in 1507, the architect Jean Texier (also sometimes known as Jehan de Beauce) designed a spire for the north tower, to give it a height and appearance closer to that of the south tower. This work was completed in 1513.
English: The western rose window of Chartres Cathedral. Français : La rosace ouest de la Cathédrale Notre-Dame de Chartres. Date: 7 February 2009: Source: Own work:
French Gothic architecture was the result of the emergence in the 12th century of a powerful French state centered in the Île-de-France.During the reign of Louis VI of France (1081–1137), Paris was the principal residence of the Kings of France, Reims the place of coronation, and the Abbey of Saint-Denis became their ceremonial burial place.
Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
The idea was adapted for the west porch of Chartres Cathedral (about 1145), possibly by the same sculptors. [25] Traces of paint on sculpture of Gothic cathedral portals indicate they were likely originally painted in bright colors. This effect has been recreated at Amiens Cathedral using projected light. [26]
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