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Musically, crunk is heavily influenced by Miami bass, Eurodance, and 1980s-era call-and-response hip hop.The distinguishing feature of the conventional crunk sound is characterized by its extensive utilization of multilayered synthesizers orchestrated in a recurrent arrangement that seamlessly transitions from a lower to a higher pitch to augment the sound's harmonious and melodic qualities.
Aliya Chaudhury of Kerrang! cites crunkcore along with metalcore and nu metal as the three scenes that especially contributed to the emergence of the hyperpop genre. [3] She writes that Metro Station and Cobra Starship "created exaggerated pop songs that mixed in rock, hip-hop and dance influences", while Breathe Carolina "used heavy electronics to create catchy pop tunes". [3]
"Crunk Muzik" Single by Jim Jones featuring Juelz Santana and Cam'ron; from the album On My Way to Church and Diplomatic Immunity 2; Released: November 27, 2004: Recorded: 2004: Studio ...
Eastwood After Hours: Live at Carnegie Hall is a two-disc live album by American actor Clint Eastwood and various jazz musicians. Released on April 29, 1997, by Warner Bros. Records, it compiles material from Eastwood's film scores—including Play Misty for Me (1971), Honkytonk Man (1982), Bird (1988), Thelonious Monk: Straight, No Chaser (1988), and White Hunter Black Heart (1990 ...
It was released on September 15, 1998, through Rush Associated Labels and consisted of hip hop and R&B music. The soundtrack was a huge success, peaking at 5 on the Billboard 200 and 2 on the Top R&B/Hip-Hop Albums , and spawned the number 1 single " How Deep Is Your Love ".
Crunk Rock is the debut solo studio album and sixth overall album by American rapper Lil Jon, released on June 8, 2010 by BME and Universal Republic. [4] [5] The characters at the bottom of the album's cover are Japanese katakana characters, which read "Kurunku Rokku", an approximation of the Japanese transliteration of the album's title.
David Alexander Tipper, also known as Tipper for short (born c. 1976 [2] in Wimbledon, London, England) [3] is a British composer and producer specialising in electronic music that ranges from ambient, through trip hop, to uptempo nu skool breaks.
Krumping is a global culture that evolved through African-American street dancing popularized in the United States during the early 2000s, characterized by free, expressive, exaggerated, and highly energetic movement. [1] The people who originated krumping saw the dance as a means for them to escape gang life. [2]