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TASCAM also introduced the first low-cost mass-produced multitrack recorders with Simul-Sync designed for recording musicians, and manufactured reel-to-reel tape machines and audio mixers for home recordists from the early 1970s through the mid-1990s. Since the early 00's, TASCAM has been an early innovator in the field-recording and audio ...
A reel-to-reel tape recorder from Akai, c. 1978. An audio tape recorder, also known as a tape deck, tape player or tape machine or simply a tape recorder, is a sound recording and reproduction device that records and plays back sounds usually using magnetic tape for storage.
Mixing desk with twenty inputs and eight outputs. Multitracking can be achieved with analogue recording, tape-based equipment (from simple, late-1970s cassette-based four-track Portastudios, to eight-track cassette machines, to 2" reel-to-reel 24-track machines), digital equipment that relies on tape storage of recorded digital data (such as ADAT eight-track machines) and hard disk-based ...
DAT used tape 4 millimetres (0.16 in) in width loaded into a cassette 73 mm × 54 mm × 10.5 mm (2.87 in. x 2.12 in. x 0.41 in.) in size. The audio data was recorded to the tape by using helical scan recording, the same fashion that a VCR connected to a PCM adaptor would record to a videotape. In essence, DAT was a modernized, integrated, and ...
Fidelipac was originally a 1 ⁄ 4-inch-wide (6.4 mm) analog recording tape, two-track format. One of the tracks was used for monaural program audio, and the other being used for a cue track to control the player, where either a primary cue tone was recorded to automatically stop the cart, a secondary tone was recorded to automatically re-cue the cart to the beginning of the cart's program ...
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This may be either in audio form or data form . This process is used in the mastering of read-only compact discs. DVDs and Blu-rays use similar methods (see Optical Disc § Optical disc manufacturing). A CD can be used to store audio, video, and data in various standardized formats defined in the Rainbow Books.
The remaining sixteen tracks were used to record up to eight channels of digital audio – two redundant tracks for each audio channel. The two tracks in a redundant track pair were separated as widely as possible to minimize playback errors due to tape defects (dropouts) – audio channel one was recorded on tracks 1 and 9.
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