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The United States’ Women's Suffrage movement involved thousands of women, each with differing backgrounds. One way that the movement was made accessible to many was through music. [1] Lyrics to suffragist songs were often original sociopolitical commentary. [1]
This is a list of female entertainers of the Harlem Renaissance, a cultural, social, and artistic explosion that took place in Harlem, New York, in the 1920s. Dancers, choreographers, and orchestra leaders
The Freeman, an Indianapolis, Indiana-based periodical, is founded, soon becoming the primary trade paper for African American theatrical groups. [28] Gretsch becomes the first drum manufacturer in the United States. [29] J. S. Putnam's "New Coon in Town" is one of the first hit coon songs to be published. [30]
Cris Williamson, whose 1975 album The Changer and The Changed was the best-selling women's music album and one of the best-selling albums by an independent label during the 1970s, in concert in 2013. Olivia Records, the first women's music record label, was created in 1973 by a collective including artist Meg Christian.
Joe Hill, one of the pioneering protest singers of the early 20th century. The vast majority of American protest music from the first half of the 20th century was based on the struggle for fair wages and working hours for the working class, and on the attempt to unionize the American workforce towards those ends.
Classic female blues was an early form of blues music, popular in the 1920s. An amalgam of traditional folk blues and urban theater music, the style is also known as vaudeville blues. Classic blues were performed by female singers accompanied by pianists or small jazz ensembles and were the first blues to be recorded.
Originating in Europe, it spread to the rest of western Europe and North America towards the mid-1920s. In the U.S., one of the more remarkable buildings featuring this style was constructed as the tallest building of the time: the Chrysler Building. The forms of Art Deco were pure and geometric, though the artists often drew inspiration from ...
Modern Cajun music began developing in the 1920s, drawing on traditional fiddlers and more modern accordionists. Joe and Cléoma Falcon made the first recording, "Allons à Lafayette", in 1928. The song was a regional hit that paved the way for Cleoma's brother, Amédée Breaux 's " Jolie Blonde ", now often considered the Cajun national anthem .