Search results
Results from the WOW.Com Content Network
Is 5 by E. E. Cummings, an example of free verse. Free verse is an open form of poetry which does not use a prescribed or regular meter or rhyme [1] and tends to follow the rhythm of natural or irregular speech. Free verse encompasses a large range of poetic form, and the distinction between free verse and other forms (such as prose) is often ...
Early Futurist poetry relied on free verse as their poetical vehicle. However, free verse "was too thoroughly bound up with tradition and too fond of producing…stale effects" [11] to be effective. Furthermore, by using free verse, the Futurist realized they would be working under the rules of syntax and therefore interfering with intuition ...
According to the Poetry Foundation's biography, Kuzma is "known among writers and former students as a brilliant, mercurial spirit, likely to forget more poetry than most of us will ever know," Kuzma's long free-verse poems often investigate the frame of personal memory. Kuzma has spoken about reading in the context of his experience as editor ...
The Red Wheelbarrow" is a poem by American modernist poet William Carlos Williams. Originally published without a title, it was designated "XXII" in Williams' 1923 book Spring and All, a hybrid collection which incorporated alternating selections of free verse and prose.
The River Merchant's Wife: A Letter" is a four stanza poem, written in free verse, and loosely translated by Ezra Pound from a poem by Chinese poet Li Bai, called Chánggān Xíng, or Changgan song. It first appeared in Pound's 1915 collection Cathay. It is the most widely anthologized poem of the collection. [1]
The free-verse poem, titled "Life Is Like A Roller Coaster," is heartbreaking in retrospect. In the short piece, Alex described how throughout life, we experience multiple ups and downs, but that ...
Sri Aurobindo has written his epic poem in blank verse, which is a very flexible metre allowing manifold variations of cadence and rhythm. But K.D. Sethna, a poet and disciple of Sri Aurobindo, notes that the freedom of this metre “does not cut any modernistic zigzag of irregularity”. Sri Aurobindo would reject any kind of free verse ...
Imagism, which had made free verse a discipline and a legitimate poetic form, influenced a number of poetry circles and movements. Its influence can be seen clearly in the work of the Objectivist poets, [51] who came to prominence in the 1930s under the auspices of Pound and Williams. The Objectivists worked mainly in free verse.