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Napoleon I at Fontainebleau on March 31, 1814; Napoleon I on His Imperial Throne; Napoleon in Imperial Costume; Napoleon in the Wilderness; Napoleon Leading the Army over the Alps; Napoleon on the Battlefield of Eylau; Napoleon on the Bellerophon; Napoleon Receiving the Queen of Prussia at Tilsit; Napoleon's Return from Elba (painting) Napoleon ...
Pages in category "Paintings based on works by William Shakespeare" The following 18 pages are in this category, out of 18 total. This list may not reflect recent changes .
Not coincidentally the work was made in the same year that the Retour des cendres (return of the ashes), or the return of Napoleon's mortal remains from the island of Saint Helena took place. The original of the painting is held at the Museum der bildenden Künste , in Leipzig , while there are copies at the Army Museum , in Paris , [ 1 ] [ 2 ...
The following is a very incomplete list of notable works in the collections of the Musée du Louvre in Paris. For a list of works based on 5,500 paintings catalogued in the Joconde database, see the Catalog of paintings in the Louvre Museum .
The sisters of Napoleon. In the replica, the dress of Napoleon's favorite sister is pink. This is the only change in the replica, despite it having been painted from memory. Charles-Francois Lebrun (1739–1824), the third consul alongside Napoleon and Cambacérès. Under the First Empire, he took the place of prince-architrésorier.
Angelica Kauffman's Ideal Portrait of Shakespeare was based on Vertue's frontispiece to Alexander Pope's edition of Shakespeare's works, which in its turn bases on the so-called Welbeck Abbey Miniature by an unknown author. Below the portrait is a symbolic figure of Fame adorning Shakespeare's tomb. [26]
The Baptism of Christ by Rubens, made for the Church of the Jesuit Trinity of Mantua, now at the Royal Museum of Fine Arts Antwerp of Antwerp; Madonna della Vittoria, Mantegna. Madonna della Vittoria by Andrea Mantegna, from Mantua's church of Santa Maria della Vittoria, now at the Louvre [1]: 209
An analysis of the original painting reveals that the artist reedited the composition and details several times to balance the image, add allusions, and capture a complete story. Brush strokes and texture indicate that an earlier version had Napoleon's upper body flanked by two fluted columns about the width of the figure's torso.