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Napoleon I at Fontainebleau on March 31, 1814; Napoleon I on His Imperial Throne; Napoleon in Imperial Costume; Napoleon in the Wilderness; Napoleon Leading the Army over the Alps; Napoleon on the Battlefield of Eylau; Napoleon on the Bellerophon; Napoleon Receiving the Queen of Prussia at Tilsit; Napoleon's Return from Elba (painting) Napoleon ...
Pages in category "Paintings based on works by William Shakespeare" The following 18 pages are in this category, out of 18 total. This list may not reflect recent changes .
Not coincidentally the work was made in the same year that the Retour des cendres (return of the ashes), or the return of Napoleon's mortal remains from the island of Saint Helena took place. The original of the painting is held at the Museum der bildenden Künste , in Leipzig , while there are copies at the Army Museum , in Paris , [ 1 ] [ 2 ...
Shakespeare is thought to have written Act I, scenes i and ii; II, ii and iv; III, ii, lines 1–203 (to exit of King); V, i. King John: 1595–1598 [42] First known performance at Covent Garden Theatre on 26 February 1737 but doubtlessly performed as early as the 1590s. Richard II: Richard III: Around 1593. [43] First published in a quarto in ...
In 1849 a death mask was made public by a German artist, Ludwig Becker, [34] who linked it to a painting which, he claimed, depicted Shakespeare and resembled the mask. The mask, known as the "Kesselstadt death mask" was given publicity when it was declared authentic by the scientist Richard Owen , who also claimed that the Stratford memorial ...
The following is a very incomplete list of notable works in the collections of the Musée du Louvre in Paris. For a list of works based on 5,500 paintings catalogued in the Joconde database, see the Catalog of paintings in the Louvre Museum .
The sisters of Napoleon. In the replica, the dress of Napoleon's favorite sister is pink. This is the only change in the replica, despite it having been painted from memory. Charles-Francois Lebrun (1739–1824), the third consul alongside Napoleon and Cambacérès. Under the First Empire, he took the place of prince-architrésorier.
An analysis of the original painting reveals that the artist reedited the composition and details several times to balance the image, add allusions, and capture a complete story. Brush strokes and texture indicate that an earlier version had Napoleon's upper body flanked by two fluted columns about the width of the figure's torso.