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The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
Each plate is accompanied by a short text which describes the scene and the photographic processes involved in obtaining it. Talbot emphasized the practical implications of his images (for instance, "The whole cabinet of a Virtuoso and collector of old China might be depicted on paper in little more time than it would take him to make a written inventory describing it in the usual way."), but ...
Animals · Artwork · Culture, entertainment, and lifestyle · Currency · Diagrams, drawings, and maps · Engineering and technology · Food and drink · Fungi · History · Natural phenomena · People · Photographic techniques, terms, and equipment · Places · Plants · Sciences · Space · Vehicles · Other lifeforms · Other
While a few drawings were done in black ink or pencil, most were finely enhanced with watercolor. Many were published in Flora Parisiensis , [ 53 ] by Poiteau and Turpin (1808) and some by Turpin (and Ernestine Panckoucke ) in Flore médicale [ 54 ] by François-Pierre Chaumeton (1814–1820).
Pencil drawings were not known before the 17th century, [1] with the modern concept of pencil drawings taking shape in the 18th and 19th centuries. [1] Pencil drawings succeeded the older metalpoint drawing stylus, which used metal instead of graphite. [1] Modern artists continue to use the graphite pencil for artworks and sketches. [1]
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
A painting by W. W. Ouless that hangs in Darwin College at Cambridge University: c. 1875 Elliott & Fry: late 1870s Elliott & Fry: 1877 Lock & Whitfield: 1878 Marion Collier (née Huxley) (1859–1887) Pencil sketch unknown unknown 1880s Herbert Rose Barraud: 1881 Elliott & Fry: 1881 Elliott & Fry: 29 November 1881 Elliott & Fry: 1881 Punch artist
The drawing is related to the painting W213 : Head of an Oriental in a Turban: c. 1636?? Private collection: The drawing is related to the painting W213 : Old Man in a Turban: c. 1636: Pen and iron-gall ink on paper tinted with a pale yellow wash: 17.3 x 13.5 cm: National Gallery of Victoria, Melbourne: The drawing is related to the painting W213
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