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Black Male: Representations of Masculinity in Contemporary Art was a landmark [1] exhibition held at New York's Whitney Museum of American Art from November 10, 1994 until March 5, 1995. Organized by curator Thelma Golden , Black Male was a survey of the changing representations of black masculinity in contemporary art from the 1970s to the 1990s.
Barkley L. Hendricks (April 16, 1945 – April 18, 2017) was a contemporary American painter who made pioneering contributions to Black portraiture and conceptualism.While he worked in a variety of media and genres throughout his career (from photography to landscape painting), Hendricks' best known work took the form of life-sized painted oil portraits of Black Americans.
Peter Hujar (/ ˈ h uː dʒ ɑːr /; [1] October 11, 1934 – November 26, 1987) was an American photographer best known for his black-and-white portraits. [2] [3] [4 ...
Wiley's intent when he began to create these ornate portraits was to re-image Black men's depiction in art. [58] The way he has his models pose, in similar positions and stances as the original figures in classical paintings, is meant to act as commentary for the historical power dynamic of African American men and white men.
Robert Michael Mapplethorpe (/ ˈ m eɪ p əl ˌ θ ɔːr p / MAY-pəl-thorp; November 4, 1946 – March 9, 1989) was an American photographer, best known for his black-and-white photographs. His work featured an array of subjects, including celebrity portraits, male and female nudes, self-portraits, and still-life images
Artists may employ a wide-ranging palette of colors, as with Pierre-Auguste Renoir's Mme. Charpentier and her children, 1878 or restrict themselves to mostly white or black, as with Gilbert Stuart's Portrait of George Washington (1796). Sometimes, the overall size of the portrait is an important consideration.
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