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Historically, loudness was measured using an ear-balancing method with an audiometer in which the amplitude of a sine wave was adjusted by the user to equal the perceived loudness of the sound being evaluated. [6] Contemporary standards for measurement of loudness are based on the summation of energy in critical bands. [7]
An equal-loudness contour is a measure of sound pressure level, over the frequency spectrum, for which a listener perceives a constant loudness when presented with pure steady tones. [1] The unit of measurement for loudness levels is the phon and is arrived at by reference to equal-loudness contours.
In acoustics, acoustic attenuation is a measure of the energy loss of sound propagation through an acoustic transmission medium. Most media have viscosity and are therefore not ideal media. When sound propagates in such media, there is always thermal consumption of energy caused by viscosity.
However, the reading from a sound level meter does not correlate well to human-perceived loudness, which is better measured by a loudness meter. Specific loudness is a compressive nonlinearity and varies at certain levels and at certain frequencies. These metrics can also be calculated in a number of different ways. [4] [example needed]
Equal-loudness contours. The phon is a logarithmic unit of loudness level for tones and complex sounds. Loudness is measured in sones, a linear unit.Human sensitivity to sound is variable across different frequencies; therefore, although two different tones may present an identical sound pressure to a human ear, they may be psychoacoustically perceived as differing in loudness.
This branch of acoustic engineering deals with the design of headphones, microphones, loudspeakers, sound systems, sound reproduction, and recording. [15] There has been a rapid increase in the use of portable electronic devices which can reproduce sound and rely on electroacoustic engineering, e.g. mobile phones , portable media players , and ...
The neural encoding of sound is the representation of auditory sensation and perception in the nervous system. [1] The complexities of contemporary neuroscience are continually redefined. Thus what is known of the auditory system has been continually changing.
Loudness differences are a frequent source of audience complaints, especially TV commercials and promos that seem too loud. The European Broadcasting Union (EBU) has been addressing this issue in the EBU PLOUD group, which consists of over 240 audio professionals, many from broadcasters and equipment manufacturers.
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