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Animal colouration is the general appearance of an animal resulting from the reflection or emission of light from its surfaces. Some animals are brightly coloured, while others are hard to see. In some species, such as the peafowl, the male has strong patterns, conspicuous colours and is iridescent, while the female is far less visible.
The goose is also characterized by a black chin and throat, a white tail, a pink bill, which is tipped with white, and yellow-orange legs and feet. [ 7 ] [ 10 ] The underside of the emperor goose's wings is gray, unlike the snow goose, which has black and white on the underside of its wings.
An Argentine black and white tegu (Salvator merianae). Tegu is a common name of a number of species of lizards that belong to the families Teiidae and Gymnophthalmidae. Tegus are native to Central and South America. They occupy a variety of habitats and are known for their large size and predatory habits. [1]
Aposematism is the advertising by an animal, whether terrestrial or marine, to potential predators that it is not worth attacking or eating. [1] This unprofitability may consist of any defenses which make the prey difficult to kill and eat, such as toxicity, venom , foul taste or smell, sharp spines, or aggressive nature.
On Colors (Greek Περὶ χρωμάτων; Latin De Coloribus) is a treatise attributed to Aristotle [1] but sometimes ascribed to Theophrastus or Strato.The work outlines the theory that all colors (yellow, red, purple, blue, and green) are derived from mixtures of black and white.
Leucism (/ ˈ l uː s ɪ z əm,-k ɪ z-/) [2] [3] [4] is a wide variety of conditions that result in partial loss of pigmentation in an animal—causing white, pale, or patchy coloration of the skin, hair, feathers, scales, or cuticles, but not the eyes. [4] It is occasionally spelled leukism.
Black and white tables of natural history, from Ephraim Chambers's 1728 Cyclopaedia. Natural history is a domain of inquiry involving organisms , including animals , fungi , and plants , in their natural environment , leaning more towards observational than experimental methods of study.
Kunstformen der Natur was influential in early 20th-century art, architecture, and design, bridging the gap between science and art. In particular, many artists associated with Art Nouveau were influenced by Haeckel's images, including René Binet, Karl Blossfeldt, Hans Christiansen, and Émile Gallé.
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