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Holy Manna is the hymn tune originally written for "Brethren, We Have Met Together", which is one of the oldest published American folk hymns. Holy Manna is a pentatonic melody in Ionian mode . It was originally published by William Moore in Columbian Harmony , a four-note shape-note tunebook , in 1829, and is attributed to him.
Music: Milton Ager Licensing This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise.
Hyfrydol has been used as a setting for William Chatterton Dix's hymn "Alleluia! Sing to Jesus", Charles Wesley's "Love Divine, All Loves Excelling" and "Come, Thou Long Expected Jesus", Francis Harold Rowley's "I Will Sing the Wondrous Story" (1886), John Wilbur Chapman's "Our Great Savior (Jesus What A Friend of Sinners)" (1910) and Philip Bliss's "I Will Sing of My Redeemer" (1876), the ...
The Emory Hymnal: a collection of sacred hymns and music for use in public worship (1887) [464] Selection of Hymns, for the use of the first M. E. Church, [465] Cape May City [466] The Emory Hymnal: No. 2, sacred hymns and music for use in public worship (1891) [467] Hymnal of the Methodist Episcopal Church (1891) [468]
A hymnal or hymnary is a collection of hymns, usually in the form of a book, called a hymnbook (or hymn book). They are used in congregational singing . A hymnal may contain only hymn texts (normal for most hymnals for most centuries of Christian history); written melodies are extra, and more recently harmony parts have also been provided.
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Wesley wrote a unique piece of music entitled "Soldiers of Christ" for the hymn to be set to. [1] However the hymn has been set to other tunes as well. One of several tunes for the hymn is by William P. Merrill (1867–1954). However, in the United States the main alternative piece of music that is used for the hymn is "Diademata" by George Job ...
The scrapbooks contain drafts of hymns, photographs, correspondence, bulletins and programs from services that used his hymns, announcements, newspaper and journal clippings, and handwritten notations by Green describing when a hymn was written and reprinted and why and for whom the piece was written.