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However, there is a type of crossover called the LR4 or LR2 crossover, which has certain unique features that make time-alignment worthwhile for speakers that use it. This particular crossover has the property that at the crossover frequency the electrical summing is flat (i.e., there is no peak or dip) and the signals being sent to the woofer ...
A single amplifier can usually power a woofer and a tweeter only through a post-amplifier crossover filter, which protects each driver from signals outside its frequency range. Bi-amping of speakers requires double the channels of amplification and can be accomplished using two ordinary amplifiers in either a vertical or horizontal arrangement.
A passive 2-way crossover designed to operate at loudspeaker voltages.. Audio crossovers are a type of electronic filter circuitry that splits an audio signal into two or more frequency ranges, so that the signals can be sent to loudspeaker drivers that are designed to operate within different frequency ranges.
In the diagram, a 60 Hz crossover frequency has been illustrated, but this can typically vary between 40 and 80 Hz. The LFE channel is a separate channel that contains low frequencies only, and it was originally added to magnetic 70mm-movie soundtracks in the 1970s, to be reproduced through subwoofers. [ 5 ]
The Isobarik, like the Sara and Kan that were developed in the 1970s and 80s, was designed to work best near room boundaries. [8] Manufacturer's leaflets advise positioning of the speaker close to a rear wall and approximately 2 to 3 feet (60 to 90 cm) from corners. [4] [7] The trade-off is the less than solid stereo image. [1]
From about 1900 to the 1950s, the "lowest frequency in practical use" in recordings, broadcasting and music playback was 100 Hz. [9] When sound was developed for motion pictures, the basic RCA sound system was a single 8-inch (20 cm) speaker mounted in straight horn, an approach which was deemed unsatisfactory by Hollywood decisionmakers, who hired Western Electric engineers to develop a ...
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