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The perception of analog audio being demonstrably superior was also called into question by music analysts following revelations that audiophile label Mobile Fidelity Sound Lab had been covertly using Direct Stream Digital files to produce vinyl releases marketed as coming from analog master tapes, with lawyer and audiophile Randy Braun stating ...
Repeated conversion between analog and digital can also cause loss. Generation loss was a major consideration in complex analog audio and video editing, where multi-layered edits were often created by making intermediate mixes which were then "bounced down" back onto tape. Careful planning was required to minimize generation loss, and the ...
Both digital and analog mixers rely on analog microphone preamplifiers, a high-gain circuit that increases the low signal level from a microphone to a level that is better matched to the console's internal operating level. In a digital mixer, the microphone preamplifier is followed by an analog-to-digital converter.
The compression may employ lossy data compression, so that quality-measurement issues become important. Shortly after the compact disc became widely available as a digital-format replacement for analog audio, it became feasible to also store and use video in digital form. A variety of technologies soon emerged to do so.
The Digital Visual Interface (DVI) is a video interface standard designed to maximize the visual quality of digital display devices such as flat panel LCD computer displays and digital projectors. It is designed for carrying uncompressed digital video data to a display. There are four basic connectors: DVI-D (digital only) DVI-A (analog only)
Digital video is an electronic representation of moving visual images in the form of encoded digital data. This is in contrast to analog video, which represents moving visual images in the form of analog signals. Digital video comprises a series of digital images displayed in rapid succession, usually at 24, 25, 30, or 60 frames per second ...
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