Search results
Results from the WOW.Com Content Network
Music of the United Kingdom began to develop in the 1950s; from largely insular and derivative forms to become one of the leading centres of popular music in the modern world. By 1950 indigenous forms of British popular music, including folk music, brass and silver bands, music hall and dance bands, were already giving way to the influence of ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
24 September – US musicologist Alan Lomax leaves for a tour of Europe, in the course of which he collects folk music from all over the UK, broadcasts on the BBC, and works with folklorists Peter Douglas Kennedy, Hamish Henderson, and Séamus Ennis, [3] recording among others, Margaret Barry and the songs in Irish of Elizabeth Cronin; Scots ...
A Promenade concert at the Royal Albert Hall in 2004. Throughout the history of the British Isles, the land that is now the United Kingdom has been a major music producer, drawing inspiration from church music and traditional folk music, using instruments from England, Scotland, Northern Ireland, and Wales.
Intercultural musical exchange was well received internationally, inspiring many musicians to take on cross-cultural influences. Many of these musicians brought foreign artists as well as their musical styles back to their home countries, which resulted in a number of big jazz names hiring immigrants to perform in their ethno jazz projects. [8]
During the 1950s European popular music give way to the influence of American forms of music including jazz, swing and traditional pop, mediated through film and records. The significant change of the mid-1950s was the impact of American rock and roll , which provided a new model for performance and recording, based on a youth market.
7 June – First performance of Peter Grimes in Sadler's Wells, London.; 29 June – William Walton opposes a proposal that the British Council should support a complete recording of Peter Grimes, suggesting that this should be discussed "at a calmer moment when the wildly hysterical & uncritical eulogies & general 'ballyhoo' have somewhat abated, & the true merits of the work can be properly ...
As a musical movement, nationalism emerged early in the 19th century in connection with political independence movements, and was characterized by an emphasis on national musical elements such as the use of folk songs, folk dances or rhythms, or on the adoption of nationalist subjects for operas, symphonic poems, or other forms of music. [1]