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Vivaldi used the cello as a solo instrument in several compositions, which was a new trend during the period. He composed 27 concertos for cello, string orchestra and basso continuo. [2] Among these cello concertos, RV 531 is the only one for two cellos. [3] Vivaldi composed it possibly in the 1720s in Venice. [4]
Concerto No. 8 for violin, strings and basso continuo in G major, RV 299; Allegro assai Largo, cantabile Allegro. Concerto No. 9 for violin, strings and basso continuo in B-flat major, RV Anh. 153 (inauthentic) Allegro Grave Alla breve. Concerto No. 10 for violin, strings and basso continuo in F major, "Il Ritiro", RV 294a; Allegro Adagio Allegro
For example, Vivaldi's celebrated Four Seasons, made up of four violin concertos (not sequentially numbered because they are in different keys), and his famous lute concerto are named and numbered as follows: Concerto No. 1 in E major, Op. 8, RV 269 – "La primavera" (Spring) Concerto No. 2 in G minor, Op. 8, RV 315 – "L'estate" (Summer)
12 concertos (two for oboe and 10 for violin), of which three are considered inauthentic: Nos. 1 and 7 (both in B-flat major) for oboe, and No. 9 (in the same key) for violin 1716–1717 465, 188, 326, 354, 285a, 374, 464, 299, 373, 294a, 208a, 214
Antonio Vivaldi wrote a set of flute concertos, Op. 10, [a] that were published c. 1728 by Amsterdam publisher Michel-Charles Le Cène. [1] Flute Concerto No. 1 "La Tempesta di Mare" in F major, RV 433 Allegro; Largo; Presto; Flute Concerto No. 2 "La Notte" in G minor, RV 439 (see also RV 104, composed in the 1710s with chamber accompaniment) Largo
L'estro armonico is a set of 12 concertos for string instruments. In the 1711 first publication each concerto was printed in eight parts: [1] [2] Four violin parts; Two viola parts
Antonio Vivaldi (engraving by François Morellon de La Cave, from Michel-Charles Le Cène’s edition of Vivaldi’s Op. 8, 1725) Title page, 1725. Il cimento dell’armonia e dell’inventione (The Contest Between Harmony and Invention) is a set of twelve concertos written by Antonio Vivaldi and published in 1725 as Op. 8.
pasticcio, possibly with some music by Vivaldi 10 701: Artabano, re dei Parti: Antonio Marchi: Carnival 1718: Venice, Teatro San Moisè: reworking of La costanza trionfante (RV 706) 11 699: Armida al campo d'Egitto: Giovanni Palazzi: Carnival 1718: Venice, Teatro San Moisè. Further performances in Venice on 26 December 1730 and 12 February ...