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Matsuo Bashō (松尾 芭蕉, 1644 – November 28, 1694); [2] born Matsuo Kinsaku (松尾 金作), later known as Matsuo Chūemon Munefusa (松尾 忠右衛門 宗房) [3] was the most famous Japanese poet of the Edo period.
Bashō by Hokusai. Oku no Hosomichi (奥の細道, originally おくのほそ道), translated as The Narrow Road to the Deep North and The Narrow Road to the Interior, is a major work of haibun by the Japanese poet Matsuo Bashō, considered one of the major texts of Japanese literature of the Edo period. [1]
Kagami Shikō (各務 支考, 1665 – 14 March 1731), often known by the mononym Shikō, was a Japanese haiku poet of the early Edo period, known as one of Matsuo Bashō's Ten Eminent Disciples (蕉門十鉄, Shōmon juttetsu) [2] and the originator of the Shishimon school (or Mino school) of poetry. [1]
The Seashell Game (貝おほひ, Kai Ōi) is a 1672 anthology compiled by Japanese poet Matsuo Bashō, in which each haiku is followed by critical commentary he made as referee for a haiku contest. [1] It is Bashō's earliest known book, and the only book he published in his own name.
Dejan Razić (1935–1985) published two books on haiku in 1979, The Development of Haikai Poetry from its Beginning to Basho, and The Peak of Haikai Poetry. The journal Haiku ran from 1977 to 1981. [64] The Haiku Marathon (1982) and the Yugoslav Haiku Competition (1985) were organised in the 1980s by Slavko Sedlar.
The term "haibun" was first used by the 17th-century Japanese poet Matsuo Bashō, in a letter to his disciple Kyorai in 1690. [2]Bashō was a prominent early writer of haibun, then a new genre combining classical prototypes, Chinese prose genres and vernacular subject matter and language. [2]
The Yamadera Basho Memorial Museum (山寺芭蕉記念館, Yamadera Bashō Kinenkan) is a biographical museum in Yamagata, Japan. It is located near the Yamadera temple, where poet Matsuo Bashō visited in 1689 during his travels that were chronicled in Oku no Hosomichi ( The Narrow Road to the Deep North ).
In the late Meiji period, the poet and literary critic Masaoka Shiki (1867–1902) first used the term haiku for the modern, standalone verses of haikai that Bashō had popularized. Until then, haiku had been called hokku , a term which refers to the first verse in a renga sequence.
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