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The position of Bashō in Western eyes as the haiku poet par excellence gives great influence to his poetry: Western preference for haiku over more traditional forms such as tanka or renga have rendered archetypal status to Bashō as Japanese poet and haiku as Japanese poetry. [46] Some western scholars even believe that Bashō invented haiku. [47]
Bashō by Hokusai. Oku no Hosomichi (奥の細道, originally おくのほそ道), translated as The Narrow Road to the Deep North and The Narrow Road to the Interior, is a major work of haibun by the Japanese poet Matsuo Bashō, considered one of the major texts of Japanese literature of the Edo period. [1]
Dejan Razić (1935–1985) published two books on haiku in 1979, The Development of Haikai Poetry from its Beginning to Basho, and The Peak of Haikai Poetry. The journal Haiku ran from 1977 to 1981. [64] The Haiku Marathon (1982) and the Yugoslav Haiku Competition (1985) were organised in the 1980s by Slavko Sedlar.
The Seashell Game (貝おほひ, Kai Ōi) is a 1672 anthology compiled by Japanese poet Matsuo Bashō, in which each haiku is followed by critical commentary he made as referee for a haiku contest. [1] It is Bashō's earliest known book, and the only book he published in his own name.
The term "haibun" was first used by the 17th-century Japanese poet Matsuo Bashō, in a letter to his disciple Kyorai in 1690. [2]Bashō was a prominent early writer of haibun, then a new genre combining classical prototypes, Chinese prose genres and vernacular subject matter and language. [2]
Until then, haiku had been called hokku, a term which refers to the first verse in a renga sequence. Shiki also rediscovered Yosa Buson, a prominent "Back to Bashō" poet and painter who died in 1784. Shiki considered Buson a painter in words and a visual poet, and Shiki's writings during the 19th century formed the foundation for the appraisal ...
Sarumino (猿蓑, Monkey's Raincoat) is a 1691 Japanese anthology, considered the magnum opus of Bashō-school poetry. [1] It contains four kasen renku as well as some 400 hokku, collected by Nozawa Bonchō and Mukai Kyorai under the supervision of Matsuo Bashō. [2]
The Yamadera Basho Memorial Museum (山寺芭蕉記念館, Yamadera Bashō Kinenkan) is a biographical museum in Yamagata, Japan. It is located near the Yamadera temple, where poet Matsuo Bashō visited in 1689 during his travels that were chronicled in Oku no Hosomichi ( The Narrow Road to the Deep North ).