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Existentialism Is a Humanism has been "a popular starting-point in discussions of existentialist thought," [4] and in the philosopher Thomas Baldwin's words, "Seized the imagination of a generation." [5] However, Sartre himself later rejected some of the views he expressed in the work, and regretted its publication. [4]
Simone de Beauvoir and Jean-Paul Sartre in Beijing, 1955. Jean-Paul Charles Aymard Sartre (/ ˈ s ɑːr t r ə /, US also / ˈ s ɑːr t /; [5] French:; 21 June 1905 – 15 April 1980) was a French philosopher, playwright, novelist, screenwriter, political activist, biographer, and literary critic, considered a leading figure in 20th-century French philosophy and Marxism.
In the wake of Being and Nothingness, Sartre became concerned with reconciling his concept of freedom with concrete social subjects and was strongly influenced in this regard by his friend and associate Maurice Merleau-Ponty, whose writings in the late 1940s and early 1950s, including Sense and Non-Sense, were pioneering a path towards a synthesis of existentialism and Marxism. [9]
Martin Heidegger attacked Sartre's concept of existential humanism in his Letter on Humanism of 1946, accusing Sartre of elevating Reason above Being. [5]Michel Foucault followed Heidegger in attacking Sartre's humanism as a kind of theology of man, [6] though in his emphasis on the self-creation of the human being he has in fact been seen as very close to Sartre's existential humanism.
Existentialism is a family of philosophical views and inquiry that prioritize the existence of the human individual, study existence from the individual's perspective, and conclude that, despite the absurdity or incomprehensibility of the universe, individuals must still embrace responsibility for their actions and strive to lead authentic lives.
This transition is more apparent after Sartre’s military service from 1939 where we observe a rather more sympathetic view of being in the world, a topic that is dealt with in much greater detail in his 1943 work Being and Nothingness. This essay begins Sartre's study and hybridisation of phenomenology and ontology.
Sartre depicted a man in a café who has applied himself to a portrayal of his role as a waiter. The waiter thinks of himself as being a waiter (as in being-in-itself), which Sartre says is impossible since he cannot be a waiter in the sense that an inkwell is an inkwell.
As a result, for Sartre, "existence precedes essence" not only defines and determines his own existential thinking or interpretation of existentialism, but also any thinking or philosophising that declares itself to be existential. Despite Sartre's later efforts to distance himself and his thinking from this remark and its consequences, it has ...