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[13] Postman suggests that the proliferation of photography led to the replacement of language with images as "our dominant means for constructing, understanding, and testing reality". [ 14 ] Sontag shares this view, suggesting that "the 'realistic' view of the world compatible with bureaucracy redefines knowledge as techniques of information .
According to Roland Barthes the coded iconic message is the story that the image portrays. This message is easily understood and the images represent a clear relationship. [1] The "reader" of the image applies their knowledge to the encoding of the photo. An image of a bowl of fruit for example might imply still life, freshness or market stalls ...
Formal logic and mathematical rules are examples of rigorous consistency. An example would be: if all As are Bs and all Bs are Cs, then all As are Cs. While this standard is of high value, it is limited. For example, the premises are a priori (or self-apparent), requiring another test of truth to employ this criterion. Additionally, strict ...
Truthiness is the belief or assertion that a particular statement is true based on the intuition or perceptions of some individual or individuals, without regard to evidence, logic, intellectual examination, or facts. [1] [2] Truthiness can range from ignorant assertions of falsehoods to deliberate duplicity or propaganda intended to sway ...
In photography, the photographer invites us to get meaning out of the picture. The Narrative Photography Competition in Portland, Oregon describes the concept of narrative photography: "The power of narrative, or story telling is at the foundation of much of photography. Photographers are creating complex and descriptive moments in time.
Many philosophers claim that it is incompatible to accept naïve realism in the philosophy of perception and scientific realism in the philosophy of science.Scientific realism states that the universe contains just those properties that feature in a scientific description of it, which would mean that secondary qualities like color are not real per se, and that all that exists are certain ...
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The Arts (concentrating on photography's evolution throughout the 19th century and its later application to cultural exploitation); Society (documenting images that captured moments that shifted public acquaintance with political, social, cultural and environmental issues); War (pivotal moments of conflict and associated violence); and