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Breakdancing consists mainly of four kinds of movement—toprock, downrock, power moves, and freezes—and is typically set to songs containing drum breaks, especially in funk, soul, and hip-hop. Its modern dance elements originated among the poor youth of New York during the early 1980s. [ 5 ]
"Breakdance" is a song written by Giorgio Moroder, Bunny Hull, and the song's performer, Irene Cara. Moroder's obsession with the dance hit " Rockit " by Herbie Hancock fueled his composition of the music, and Cara was inspired by the street performers she saw growing up in the South Bronx to write lyrics about what was then called breakdancing .
Mr. Fresh and the Supreme Rockers were a breakdancing group known for their classic book, Breakdancing: Mr. Fresh and the Supreme Rockers Show You How, published in 1984.. The book was a common introductory reference for newcomers to the "breakin'" style of dance as it evolved in North America in the 1970s and 19
In addition, Breakin was released outside the United States as Breakdance: The Movie. [77] The media followed suit by calling all represented styles "breakdancing", which caused a naming confusion among the general public. [27] [63] [78] This was problematic for two reasons.
21 Songs From the 1990s That Sound Great as Ever Paul Natkin - Getty Images. ... Now more than 30 years old, this song remains a classic soundtrack for breakups, graduations, and any type of ...
The music video features footage from the film Breakin', as well as numerous street break dancing performances. Jean-Claude Van Damme , who was an extra in the film, can be seen dancing in the background at one point.
"Street Dance" is a song by American hip hop act Break Machine, released as their debut single in 1983, from their album Break Dance Party (released as Break Machine in the UK). It became an international hit, topping the charts in several countries as well as peaking at number three on the UK Singles Chart .
B-boying or Breaking, also called Breakdancing, is a style of street dance that originated among African-American and Puerto Rican youths in New York City during the early 1970s. The dance spread worldwide due to popularity in the media, especially in regions such as South Korea, United Kingdom, Germany, France, Russia, and Japan.