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Basket weaving (also basketry or basket making) is the process of weaving or sewing pliable materials into three-dimensional artifacts, such as baskets, mats, mesh bags or even furniture. Craftspeople and artists specialized in making baskets may be known as basket makers and basket weavers .
She taught her niece, Lisa Telford, traditional Haida basket weaving. Additionally Churchill studied ravenstail weaving under Cheryl Samuel. [6] [7] Churchill is an eminent Haida weaver and an expert in gathering and preparing materials for cedar bark, spruce root, and Chilkat weaving.
Louisa Keyser, or Dat So La Lee (c. 1829 - December 6, 1925) was a celebrated Native American basket weaver. A member of the Washoe people in northwestern Nevada, her basketry came to national prominence during the Arts and Crafts movement and the "basket craze" of the early 20th century.
Indigenous basket weavers of the Americas (2 C, 1 P) + Women basketweavers (1 C, 5 P) A. American basket weavers (2 C, 65 P) C. Canadian basket weavers (2 C, 9 P)
She gave basket weaving demonstrations at the 1939 Golden Gate International Exposition. [2] Bethel was one of a group of Mono-Paiute women who "became known for their exceedingly fine, visually stunning and complex polychrome baskets." [3] Other basket weaving artists in this group included Nellie Charlie and Lucy Telles.
Basketmaker II "two rod and bundle" basket (ca AD 1 to 700), Zion National Park Basketmaker III basket (450–750 AD), Mesa Verde Museum The following periods, the Pueblo Eras, saw the introduction of above-ground, multi-roomed masonry dwellings, more efficient stone tools, garments made of cotton or turkey feathers, and the introduction of the ...
Lucy sold her baskets to Yosemite visitors. By the 1920s, Telles was regarded as the best basket weaver in Yosemite Valley. In 1924, she won a prize of $100 for her baskets. Her most famous basket was the largest known to have been woven in Yosemite Valley. It sold for $250 in 1939. An enormous basket with a 36" diameter that took her four ...
The curator there, Aleta Rinlero says of Antone's work: "She doesn't weave baskets, she weaves concepts." [4] Ancient Hohokam pottery designs also provide Antone with inspiration for basket designs, as have the flora and fauna of the Sonoran Desert. To achieve her complex designs, she carefully sketches them out before weaving. [5]
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