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The term marimba refers to both the traditional version of this instrument and its modern form. Its first documented use in the English language dates back to 1704. [1] The term is of Bantu origin, deriving from the prefix ma-meaning 'many' and -rimba meaning 'xylophone'. The term is akin to Kikongo and Swahili marimba or malimba. [2]
The Cubans call it marímbula, and most of the other Caribbean countries have adopted this name or some variant of it: marimba, malimba, manimba, marimbol. The instrument has a number of other names, such as marímbola (Puerto Rico), bass box, calimba (calymba), rhumba box, Church & Clap, Jazz Jim or Lazy Bass , and box lamellophone.
José Cecilio Corazón de Jesús y Pangilinan (November 22, 1894 – May 26, 1932), also known by his pen name Huseng Batute, was a Filipino poet who used Tagalog poetry to express the Filipinos' desire for independence during the American occupation of the Philippines, a period that lasted from 1901 to 1946.
To marimba players this technique is called “transport”, and it is very common to see this technique applied to the marimba simple. Arch or Ring Marimba. The arch marimba was probably the first, followed by a simple instrument with a diatonic row of wood bars played with mallets, with gourd resonators, placed on a wooden a stand. In 1894 ...
The marimba of Nicaragua distinguishes itself from the other forms of marimba in Central America by the way it is played. Nicaragua's marimba is played by a sitting performer holding the instrument on his knees. They are usually accompanied by a bass fiddle, guitar and guitarrilla (a small guitar similar to a mandolin). This music is played at ...
Well known band of Maya Pax music was La Banda de San Jose. [6] One of the popular contemporary marimba bands is the Benque Marimba Youth Academy. [7] In the villages of northern Belize you will also find Maya Pax bands which mostly play for traditional Maya dances like the Hoghead dance like La banda de San Jose in Orange Walk district. [8]
Manuel Ponce. Manuel María Ponce Cuéllar (8 December 1882 – 24 April 1948), known in Mexico as Manuel M. Ponce, was a Mexican composer active in the 20th century. His work as a composer, music educator and scholar of Mexican music connected the concert scene with a mostly forgotten tradition of popular song and Mexican folklore.
A merengue version was recorded in the Dominican Republic by "Antonio Morel y su Orquestra" in the 1950s, with an alto saxophone arrangement by "Felix del Rosario". [11] A number of reggae versions of the song also exist, and marimba covers are particularly popular.