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Magnetic tape was commonly used to create master copies.. Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication).
Most sound recordings for records before the 1950s were made by cutting directly to a master disc. Recording via magnetic tape became the industry standard around the time of the creation of the LP format in 1948, and these two technological advances are often seen as being joined, although 78 rpm records cut from tape masters continued to be manufactured for another decade.
An extreme example, Todd Rundgren's Initiation LP, with 36 minutes of music on one side, has a "technical note" at the bottom of the inner sleeve: "if the sound does not seem loud enough on your system, try re-recording the music onto tape." The total of around 40–45 minutes often influences the arrangement of tracks, with the preferred ...
In sound recording, dubbing is the transfer or copying of previously recorded audio material from one medium to another of the same or a different type. It may be done with a machine designed for this purpose, or by connecting two different machines: one to play back and one to record the signal.
Sticky-shed syndrome is a prevalent problem with older tapes. Tapes can also suffer creasing, stretching, and frilling of the edges of the plastic tape base, particularly from low-quality or out-of-alignment tape decks. When a CD is played, there is no physical contact involved as the data is read optically using a laser beam.
The Compact Cassette, also commonly called a cassette tape, [2] audio cassette, or simply tape or cassette, is an analog magnetic tape recording format for audio recording and playback. Invented by Lou Ottens and his team at the Dutch company Philips , the Compact Cassette was released in August 1963.
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