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"The Olmec Football Player" [30] is a 1980 short story by Katherine MacLean. In it, at least one of the Olmec colossal heads depicts an African-American college student who traveled back in time while wearing his football helmet. In The Mysterious Cities of Gold, the few remaining Olmecs are described as being descendants of Atlanteans.
America's First Civilization: Discovering the Olmec. New York: The Smithsonian Library. Coe, Michael D.; Rex Koontz (2002). Mexico: from the Olmecs to the Aztecs (5th edition, revised and enlarged ed.). London and New York: Thames & Hudson. ISBN 0-500-28346-X. OCLC 50131575. Covarrubias, Miguel (1977) [1946]. "Olmec Art or the Art of La Venta".
The consensus among most, but by no means all, archaeologists and researchers is that Olmecs weren't purely a mother nor a sister to other Mesoamerican cultures, but the hallmarks of the Olmec iconography were developed within the Olmec heartland and that this iconography became, in the words of Michael Coe, an "all-pervading art style ...
Frans Blom and Oliver La Farge made the first detailed descriptions of La Venta during their 1925 expedition, sponsored by Tulane University. Originally La Venta was thought to be a Mayan site. It wasn't until more sophisticated radiocarbon techniques were developed in the 1950s that Olmec sites were irrefutably dated as preceding the Maya. [13]
Through subsequent research, it became apparent that not every cleft head nor every downturned mouth represented a werejaguar. [9] Some researchers have therefore refined the werejaguar supernatural, specifically equating it with the Olmec rain deity, [10] a proposition that artist, archaeologist, and ethnographer Miguel Covarrubias had made as early as 1946 in Mexico South.
Specifics concerning Olmec religion are a matter of some conjecture. Early researchers found religious beliefs to be centered upon a jaguar god. [4] This view was challenged in the 1970s by Peter David Joralemon, whose Ph.D. paper [citation needed] and subsequent article posited what are now considered to be 8 different supernaturals.
Miguel recruited friend and dancer José Limón who brought his dance company from New York City for the inaugural season in 1950, taught at Bellas Artes, and helped arrange for international exposure of this new Mexican modern dance company. During Miguel's tenure, traditional Mexican dance was not only researched, documented, and preserved ...
What we today call Olmec first appears within the city of San Lorenzo Tenochtitlán, where distinctive Olmec features appear around 1400 BCE. Although Olmec civilization traces have been found all around Mesoamerica and it is considered that the Olmecs were a main influence on all regional civilizations.