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Dolby TrueHD is a lossless, multi-channel audio codec developed by Dolby Laboratories for home video, used principally in Blu-ray and compatible hardware. Dolby TrueHD, along with Dolby Digital Plus (E-AC-3) and Dolby AC-4, is one of the intended successors to the Dolby Digital (AC-3) lossy surround format.
Digital media playback of high-resolution 2K files has at least a 20-year history. Early video data storage units fed custom frame buffer systems with large memories. In early digital video units, the content was usually restricted to several minutes of material. Transfer of content between remote locations was slow and had limited capacity.
10.2 is the surround sound format developed by THX creator Tomlinson Holman of TMH Labs and the University of Southern California (schools of Cinematic Arts and Engineering). ). Developed along with Chris Kyriakakis of the USC Viterbi School of Engineering, 10.2 refers to the format's slogan: "Twice as good as 5
A virtual surround system must provide a means for 2-dimensional imaging of sound, using some properties of the human auditory system. The way that the auditory system localises a sound source is a topic that is studied in the field of psychoacoustics. Thus, virtual surround systems use knowledge of psychoacoustics to "trick" the listener ...
In the 2020s, a home cinema system typically uses a large projected image from a video projector or a large flat-screen high-resolution HDTV system, a movie or other video content on a DVD or high-resolution Blu-ray disc, which is played on a DVD player or Blu-ray player, with the audio augmented with a multi-channel power amplifier and ...
Surround sound is a technique for enriching the fidelity and depth of sound reproduction by using multiple audio channels from speakers that surround the listener (surround channels). Its first application was in movie theaters .
DTS-HD Master Audio, previously known as DTS++, [27] is the second of two DTS-HD audio formats. [28] It supports a virtually unlimited number of surround sound channels, can deliver audio quality at bit rates extending from lossless (24-bit, 192 kHz) down to DTS Digital Surround and, like Neo, downmix to 5.1 or 2.1 systems.
In 2010, after the success of James Cameron's 2009 3D film Avatar, full 1080p HD 3D camcorders entered the market. With the proliferation of file-based digital formats, the relationship between recording media and recording format has declined; video can be recorded onto different media. With tapeless formats, recording media are storage for ...
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