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Print/export Download as PDF; Printable version; In other projects ... Pages in category "Paintings of Cupid" The following 88 pages are in this category, out of 88 ...
The Cupid Seller (French: La Marchande d’Amours) or The Accessories Seller (La Marchande à la toilette) is a 1763 oil on canvas painting by the French artist Joseph-Marie Vien. One of the earliest works of French neo-classicism , it is based on an ancient fresco of the same name from Stabiae and shows a woman selling tiny cupids .
Object history: Provenance: Possibly King Charles II (1630-1685); Possibly King James II (1633-1701); Possibly taken from Whitehall by his son-in-law, John Sheffield, 1st Duke of Buckingham and Normanby (1647-1721), husband of Katherine Darnley, King James II's natural daughter by Catherine Sedley, and recorded at Buckingham House, Middlesex, by G. Vertue in an inventory of 1746;
Free, printable folded notecards from Homeschool Of 1 feature eight different designs that can be colored in (by the giver or receiver) on one side and a Happy Valentine’s Day message on the ...
Her bed and its hangings are another constant. Other elements vary considerably; the first version, now in Naples, was painted between 1544–46, and is the only one with a figure of Cupid at the right, rather than an old woman catching the shower of gold. She is a different figure at each appearance, though the pose in the Hermitage follows ...
Love and Psyche or Cupid and Psyche is an 1817 painting by Jacques-Louis David, now in the Cleveland Museum of Art. It shows Cupid and Psyche . It was produced during David's exile in Brussels , [ 1 ] for the patron and collector Gian Battista Sommariva .
Venus, Adonis and Cupid is a painting created c. 1595 by Annibale Carracci. The painting is in the Museo del Prado , Madrid . Annibale Carracci was one of the most well known Italian Baroque painters of the seventeenth century.
Venus Consoling Love is an oil-on-canvas painting executed in 1751 by the French artist François Boucher. [1] [2] The painting depicts a mythological scene, where Venus, the goddess of Love, depicted as a charming and supple young woman, is impersonating the French Rococo's beauty ideals.