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e. Plato's allegory of the cave is an allegory presented by the Greek philosopher Plato in his work Republic (514a–520a, Book VII) to compare "the effect of education (παιδεία) and the lack of it on our nature ". It is written as a dialogue between Plato's brother Glaucon and his mentor Socrates and is narrated by the latter.
Plato refers to these debates and made allegories and the nature of allegory a prominent theme in his dialogues. [ 9] He uses many allegorical devices and explicitly calls attention to them. In the Parable of the Cave, for example, Plato tells a symbolic tale and interprets its elements one by one ( Rep., 514a1 ff.).
Platonism. In philosophy and specifically metaphysics, the theory of Forms, theory of Ideas, [1][2][3] Platonic idealism, or Platonic realism is a theory widely credited to the Classical Greek philosopher Plato. The theory suggests that the physical world is not as real or true as "Forms". According to this theory, Forms—conventionally ...
Platonism. In philosophy, Plato's epistemology is a theory of knowledge developed by the Greek philosopher Plato and his followers. Platonic epistemology holds that knowledge of Platonic Ideas is innate, so that learning is the development of ideas buried deep in the soul, often under the midwife-like guidance of an interrogator.
In classical literature two of the best-known allegories are the Cave in Plato's The Republic (Book VII) and the story of the stomach and its members in the speech of Menenius Agrippa (Livy ii. 32). Among the best-known examples of allegory, Plato's Allegory of the Cave, forms a part of his larger work The Republic.
Plato the Younger, also known as Plato Junior and Plato Epigrammaticus, wrote in the 1st century AD. [4] A blind man carried a lame man on his back, lending him his feet and borrowing from him his eyes. Greek Anthology, ix, 13; On Dionysus carved on an Amethyst: The stone is amethyst, but I am the toper Dionysus.
t. e. In Plato 's Ion (/ ˈaɪɒn /; Greek: Ἴων) Socrates discusses with the titular character, a professional rhapsode who also lectures on Homer, the question of whether the rhapsode, a performer of poetry, gives his performance on account of his skill and knowledge or by virtue of divine possession. It is one of the shortest of Plato's ...
The Form of the Good, or more literally translated "the Idea of the Good" (ἡ τοῦ ἀγαθοῦ ἰδέα [a]), is a concept in the philosophy of Plato.In Plato's Theory of Forms, in which Forms are defined as perfect, eternal, and changeless concepts existing outside space and time, the Form of the Good is the mysterious highest Form and the source of all the other Forms.