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Whang-od with a tattooed visitor. Whang-od started tattooing at the age of 15, [21] a traditional artform that she learned from her father who was considered a master tattooist in the region. [22] Traditionally, only men with special tattooing ancestry were allowed to learn the art. Whang-od was an exception due to her talent and potential seen ...
Tattooing was an expensive and painful process and by the late 1880s had become a mark of wealth for the crowned heads of Europe. [137] In 1891, New York City tattooer Samuel O'Reilly patented the first electric tattoo machine, a modification of Thomas Edison 's electric pen. Nora Hildebrandt.
The term "sleeve" is a reference to the tattoo's size similarity in coverage to a shirt sleeve on an article of clothing. Just like for shirts, there are various sizes of sleeves. In this manner, the term is also used as a verb; for example, "being sleeved" means to have one's entire arm tattooed. The term is also sometimes used in reference to ...
Irezumi (入れ墨, lit. ' inserting ink ') (also spelled 入墨 or sometimes 刺青) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom.
Peʻa, Samoan male tattoo. The Peʻa is the popular name of the traditional male tatau (tattoo) of Samoa, also known as the malofie. [1] It is a common mistake for people to refer to the pe'a as sogaimiti, because sogaimiti refers to the man with the pe'a and not the pe'a itself. It covers the body from the middle of the back to the knees, and ...
Indigenous American visual arts include portable arts, such as painting, basketry, textiles, or photography, as well as monumental works, such as architecture, land art, public sculpture, or murals. Some Indigenous art forms coincide with Western art forms; however, some, such as porcupine quillwork or birchbark biting are unique to the Americas.
Tattooing in Burma was a widespread custom practiced by various ethnic groups, including the Bamar, Shan, and Karen, until the 20th century. Tattooing was a distinguishing cultural marker and a symbol of strength, courage and intimidation for Lethwei fighters. [1]
Kakiniit (Inuktitut: ᑲᑭᓐᓃᑦ [kɐ.ki.niːt]; sing. kakiniq, ᑲᑭᓐᓂᖅ) are the traditional tattoos of the Inuit of the North American Arctic. The practice is done almost exclusively among women, with women exclusively tattooing other women with the tattoos for various purposes. Men could also receive tattoos but these were often ...
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