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The first two phrases of the melody from Stephen Foster 's " Oh! Susanna " are based on the major pentatonic scale [ 1 ] A pentatonic scale is a musical scale with five notes per octave, in contrast to heptatonic scales, which have seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently ...
The first musical scales were derived from the harmonic series. On the Guqin (a traditional instrument) all of the dotted positions are equal string length divisions related to the open string like 1/2, 1/3, 2/3, 1/4, 3/4, etc. and are quite easy to recognize on this instrument. The Guqin has a scale of 13 positions all representing a natural ...
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Chord-scale system. Heptatonic scale. Jazz scale. List of chord progressions. List of chords. List of musical intervals. List of pitch intervals. Arabian maqam. Modes of limited transposition.
Two pentatonic scales common to jazz are the major pentatonic scale and the minor pentatonic scale. They are both modes of one another. The major pentatonic scale begins with a major scale and omits the fourth and the seventh scale degrees. The minor pentatonic scale uses the same notes as the major pentatonic scale, but begins on the sixth ...
Remove 4 and 7, ♯3 -> major pentatonic scale (宮 (gōng) mode) / Remove 2 and 5, ♭6 -> blues minor pentatonic scale (角 (jué) mode) They are called “harmonic” scales since they contain all seven types of seventh chords (like the harmonic major scale and the harmonic minor scale). e.g. for Dorian ♯4: 1st: Minor seventh chord
Some scales use a different number of pitches. A common scale in Eastern music is the pentatonic scale, which consists of five notes that span an octave. For example, in the Chinese culture, the pentatonic scale is usually used for folk music and consists of C, D, E, G and A, commonly known as gong, shang, jue, chi and yu. [14] [15]
The term blues scale refers to several different scales with differing numbers of pitches and related characteristics. A blues scale is often formed by the addition of an out-of-key "blue note" to an existing scale, notably the flat fifth addition to the minor pentatonic scale. However, the heptatonic blues scale can be considered a major scale ...